Unbelievably clear goldfish tank

This goldfish tank is filled and surrounded by my late mother’s knick-knacks, and sits upon her credenza from my childhood home in Baker City where it catches the early morning sunlight. It also has an RGB LED light on top so looks spectacular at night.

When you sit and watch the fish in this tank, the combination of sun rays and seeing outdoors right through the tank make it seem like the fish are just floating in air.

When I first moved this tank to the window, it would bloom algae within three days of a good cleaning, and the glass would be impossible to see-through. When I switched to a Marineland C-220 whisper-silent canister filter, the algae blooms stopped and the water became very clear. When I added the (kind of noisy) air bubbler, within three days the water was crystal clear, and has stayed that way ever since. Even the growth on the ceramic pig has stopped, and that used to turn completely green.

It took many months to get this healthy ecosystem running smoothly. Time will tell if this new system can maintain the clarity.

How to line up shots for stitched panoramic images

Anthony-Lakes-chair-lift

I like to carry a simple point-and-shoot Canon S900 pocket camera. It is convenient for capturing of-the-moment photos, but it produces a frustrating lack of detail when I am faced with large panoramic nature scenes.

Adobe Photoshop CC and other programs now have very advanced image stitching and photo merging capabilities. Here I will show you how to frame up your shots for the best possible stitched results. Of course, you can make much better quality images with good camera and a tripod, but this method is to make the most of hand-held pocket cameras.


Four techniques:

Panorama-Instructions-01Standing at the side of the highway, with my camera zoomed all of the way out, this is what I see through the lens. The aspect ratio is 4:3, and the resolution is 4000×3000 px.

While this is very nice looking, I would like to create an image of much greater detail, that shows the grand, looming presence of the mountains that I experienced with my naked eye.

All four examples are taken from one spot on the side of the road.


Example 1:
Zoomed-in landscape pan

PROS: My favorite. High resolution and low distortion. CONS: May need to zoom out for better composition and context.

Panorama-Instructions-02 1A. Holding your camera in landscape mode, zoom in to your subject, and choose a frame that includes all of the foreground and sky that you need for your final composition.

Panorama-Instructions-03 1B. Start panning across horizontally. Move your frame about one-third each time. You will need the overlap to make up for lens distortion and vignetting.

Panorama-Instructions-04 1C. Continue panning across until you have all the shots you need for your composition. Be careful to keep a point of reference, like the horizon, to make sure you shoot straight.

Panorama-Instructions-05 1D. Here are the actual photos. It took ten images to pan across the mountain range. Note the natural, in-lens vignetting. This should be removed in the stitching process. You are now ready to stitch photos in your graphics program.

Elkhorns-Pano-123114 1E. RESULTS: 10 images, zoomed-in, landscape orientation 15274×2996

Download the ZIP of ten images below to stitch your own panorama together.

zip-file-icon-49x64 01-Nelsdrums-Zoomed-In-Landscape-10.zip (31 mb)


Example 2:
Zoomed-in portrait pan

PROS: Highest resolution, least distortion. CONS: Difficult to line up shots. Can be time consuming when stitching.

Panorama-Instructions-06 2A. Holding your camera in portrait mode, zoom in to your subject, and choose a frame that includes all of the foreground and sky that you need for a final composition.

Panorama-Instructions-07 2B. Start panning across horizontally. Move your frame about one-third each time. You will need the overlap to make up for lens distortion and vignetting.

Panorama-Instructions-08 2C. Continue panning across until you have all the shots you need for your composition. Be careful to keep a point of reference, like the horizon, to make sure you shoot straight.

Panorama-Instructions-09 2D. Here are the actual photos. It took fifteen images to pan across the mountain range. Note the natural, in-lens vignetting. This should be removed in the stitching process. You are now ready to stitch photos in your graphics program.

Elkhorn-Mountains-Pano-Tight-123114 2E. RESULTS: 15 images, zoomed-in, portrait orientation (B) 24128×4686

Download the ZIP of fifteen images below to stitch your own panorama together.
zip-file-icon-49x64 02-Nelsdrums-Zoomed-In-Portrait-15.zip (55 mb)


Example 3:
Zoomed-out pan

PROS: Uses the least shots, very fast to shoot, shows more context. CONS: Most radically distorted pixels, hardest to stitch together in proper perspective, lowest resolution.

Panorama-Instructions-10 3A. Here I have zoomed all of the way out, and will shoot overlapping images from left to right.

Panorama-Instructions-11 3B. Move your camera about one-half of the frame at a time. Note how the perspective changes drastically with the addition of near-field foreground elements.

Panorama-Instructions-12 3C. The more images you shoot zoomed-out, the more distorted your final stitched image will be. Try not to go over 120 degrees. You are now ready to stitch photos in your graphics program.

Elkhorns-3-Images-Stitched-Perspective-1231 3D. RESULTS: 3 images, zoomed-out, landscape orientation 9588×3050

Download the ZIP of three images below to stitch your own panorama together.

zip-file-icon-49x64 03-Nelsdrums-Zoomed-Out-Landscape-3.zip (9 mb)


Example 4:
Multi-row zoomed-in pan

PROS: Possibility of making massive, detailed images. CONS: Most difficult to shoot properly, more chances for stitching errors.

If your graphics program supports it, you can actually stitch a whole grid of images together. To do this, you will need a good eye and points of reference in the viewfinder to line up the shots properly.

Panorama-Instructions-13 4A. Here we have the 3 stitched images. They are fairly low resolution. To recreate this in high resolution, you need to shoot additional rows of images.

Panorama-Instructions-14 4B. Find a good reference point, zoom-in and shoot across horizontally like I have described above. Give yourself plenty of overlap.

Panorama-Instructions-15 4C. Continue across until you have all you need for the composition, then move down for the second row.

Panorama-Instructions-16 4D. Create a second row from your previous reference point. Continue until you have an equal amount of second row images. Add additional rows as needed. You are now ready to stitch photos in your graphics program.

Elkhorns-3-Images-Stitched-Perspective-1231 4E. RESULTS: 12 images, zoomed-in, landscape orientation 38352×12200

Using the methods described here, I was able to make all of the panoramic images on this site using only a small, handheld point-and-shoot camera. Let me know how it works out for you.

Baker City Hi Rez Eastern Oregon Scenic Winter Panoramas

Skiing at Anthony Lakes on New Years Eve

Baker City, High Res Eastern Oregon Scenic Winter Panoramas

Elkhorn Mountains (E) from Virtue Flat.
 

Winter vacation 2014. My son Lars and I created a bunch of panoramic images of the snowy mountains framing either side of Baker Valley in Eastern Oregon. Using our little point-and-shoot Canon cameras, we shot multiple exposures in horizontal sequence. Each image below is made up of 3-15 stills stitched together in Adobe Photoshop CC.

Click image to view enlarged. Right-Click image to open full-resolution in new window or save-as.

Baker-Valley-Map

On the west side of Baker Valley, lie the Elkhorn Mountains, part of the Blue Mountains, in the northeastern part of Oregon. The highest point in the range is Rock Creek Butte, which is 9,106 feet (2,776 m) above sea level.

Far to the east, but visible from most everywhere in the Baker Valley is the Eagle Cap Wilderness, located in the Wallowa Mountains of northeastern Oregon, within the Wallowa–Whitman National Forest. The Wilderness was established in 1940. In 1964, it was included in the National Wilderness Preservation System. At 8,560 feet, Red Mountain, is the highest peak in Baker County. Sacajawea, the highest peak in the Eagle Cap, is 9,838 feet (2,999 m) above sea level. Eagle Cap is also home of the Hells Canyon National Recreation Area and North America’s deepest river gorge at 7,993 feet (2,436 m).

Elkhorn-Mountains-Pano Elkhorn Mountains from Virtue Flat (E) 16530×3000

Highway-86-East-Of-Baker Logging Truck Highway 86 East of Baker (E) 10757×2952

Elkhorns-From-Oregon-Trail Elkhorn Mountains from Oregon Trail Passageway (D) 6657×2724

Elkhorns-Interpretive-Center-Zoom Elkhorn Mountains from Oregon Trail Interpretive Center (D) 20333×3266

Elkhorn-Mountains-Pano-Tight-123114 Elkhorn Mountains from Highway 30 (B) 24128×4686

Elkhorns-Pano-123114 Elkhorn Mountains from Highway 30 (B) 15274×2996

Elkhorns-3-Images-Stitched-Perspective-1231 Elkhorn Mountains from Highway 30 (B) 9588×3050

Eagle-Mountains-Pano-123114 Eagle Cap Wilderness from Highway 30 (B) 16530×3000

Eagle-Cap-Highway-30-Perspective Eagle Cap Wilderness from Highway 30 (B) 10885×3728

Elkhorns-From-Auburn-And-Railroad-Tracks Elkhorn Mountains from Auburn Street (C) 8466×2754

Eagle Cap Wilderness Eagle Cap Wilderness from Pocahontas Lane (A) 18017×3245
 

For a different viewing experience, I made a full-screen panorama viewer. I wish it could zoom in a little, but I couldn’t figure out how.

Elkhorn Mountains

A photo posted by nelsdrums (@nelsdrums) on

Kia Soul Hamsters Animated GIFs

Here are some leftover GIFs from the Kia Soul In My Mind Music Video Challenge.

And a few wallpapers to brighten your day. Right-click and open in new window to save to your computer. Thanks to kickass creatives Sarah & Sean at DNG.

Kia-Soul-Wallpaper-1-Clear-2650x1440
Kia-Soul-Wallpaper-3-Shadow-2650x1440
Kia-Soul-Wallpaper-2-Molten-2650x1440

Lexus 2008 LSh Photography

I just completed a grueling marathon shoot of the new LS Hybrid with Aussie (by way of London) photographer Anton Watts (shown below with coffee all over him). Something like 28 shots in 12 days. Many in the studio, and some on location. A new world record! More images after you click.

Oh yeah, I did the retouching myself while on location. See the rest of the photos.

2006 Lexus IS Photographs

I just added two recently directed 2006 Lexus IS photos taken by German photogapher Thomas Strogalski. They are the first two images in the slideshow (Just click on 01 or 02 to view them). “Orange” was taken in downtown Los Angeles, and “Blue” was taken inside a parking structure. I was extremely excited to shoot with Thomas, and the results speak for themselves.

After the stills were taken, the IS shots were animated for the U.S. Lexus website. “Orange” is displayed on the Lexus Home Page, and “Blue” is on the 2006 IS Model Page. There is also a Wallpaper version of “Orange”, and a Screensaver of the “Blue” animation.

IS Orange

KIA Amante Retouching

I just finished retouching six Kia Amante images for Saputo Design. Each image is composed of six to twelve photos. Spectacular imagery, thanks to photographer Uwe Duettmann. Certainly an excellent start for the new Kia Amante.

More beautiful KIA Amanté shots after you click an image.

Children’s Bureau Billboards

ifyouever

stopcrying

youstupid

These controversial jumbo-sized anti-child abuse billboards I designed were all-over Southern California generated many calls from children. This was a first for the toll-free hotline.

Billboards were duo-tone black and red on white substrate.

UA-616284-1